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Some theorists and critics insist that no aesthetic evaluation of a work of art is sound if it is based...

GMAT Critical Reasoning : (CR) Questions

Source: Official Guide
Critical Reasoning
Misc.
HARD
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Some theorists and critics insist that no aesthetic evaluation of a work of art is sound if it is based even in part on data about the cultural background of the artist. This opinion is clearly false. The only sound aesthetic evaluations of artists' works are those that take into account factors such as the era and the place of the artists' births, their upbringing and education, and the values of their societies—in sum, those factors that are part of their cultural background.

The above argument is most vulnerable to which of the following objections?

A
The argument presupposes the conclusion for which it purports to provide evidence.
B
The argument cites evidence that undermines rather than supports the conclusion.
C
The argument draws its conclusion by means of an equivocal interpretation of key terms.
D
The argument assumes that the production of an effect is evidence of an intention to produce that effect.
E
The argument assumes that evaluative disputes can be resolved by citing factual evidence.
Solution

Passage Analysis:

Text from Passage Analysis
Some theorists and critics insist that no aesthetic evaluation of a work of art is sound if it is based even in part on data about the cultural background of the artist.
  • What it says: Some experts believe art evaluations are invalid if they use any cultural background info about the artist
  • What it does: Sets up the opposing viewpoint that the author will challenge
  • What it is: Others' position/claim that the author disagrees with
This opinion is clearly false.
  • What it says: The author directly states the previous viewpoint is wrong
  • What it does: Makes a strong counter-claim against the experts' position
  • What it is: Author's main conclusion
The only sound aesthetic evaluations of artists' works are those that take into account factors such as the era and the place of the artists' births, their upbringing and education, and the values of their societies—in sum, those factors that are part of their cultural background.
  • What it says: Good art evaluations must include cultural background factors like when/where born, education, society's values
  • What it does: Provides the author's reasoning to support why the experts are wrong
  • What it is: Author's premise/supporting evidence

Argument Flow:

The author starts by presenting an opposing view (some experts say cultural background shouldn't be used), then directly contradicts it, and finally provides reasoning for why cultural background is actually essential.

Main Conclusion:

The opinion that aesthetic evaluations should not be based on cultural background data is clearly false.

Logical Structure:

This is a classic disagreement argument where the author counters an opposing view. The structure is: 'Others say X, but X is wrong because only Y works.' The argument relies on the premise that cultural factors are essential for sound evaluations to prove the experts' position is false.

Prethinking:

Question type:

Misc - This is asking about logical flaws or vulnerabilities in the argument's reasoning structure

Precision of Claims

The author makes an absolute claim using 'only' - stating that ONLY evaluations considering cultural background are sound, while rejecting ANY evaluation that uses cultural background is automatically unsound

Strategy

Look for logical flaws in how the argument is structured. The author is making a strong counter-claim but we need to identify weaknesses in their reasoning. Focus on whether the author's response actually addresses the original claim properly, whether there are logical gaps, or if the reasoning is flawed in some fundamental way

Answer Choices Explained
A
The argument presupposes the conclusion for which it purports to provide evidence.

This identifies circular reasoning - where the argument assumes what it's trying to prove. Looking at our argument, the author claims the theorists are wrong because 'only' evaluations using cultural background are sound. But this statement itself assumes the conclusion that cultural background should be used in aesthetic evaluations. The author provides no independent evidence for why cultural background is essential - they simply assert it as fact to disprove the opposing view. This is exactly what presupposing the conclusion means. This is correct.

B
The argument cites evidence that undermines rather than supports the conclusion.

This would mean the evidence actually supports the opposing view rather than the author's position. However, the author's evidence about cultural factors being essential does support their conclusion that the theorists are wrong - it doesn't undermine it. The problem isn't that the evidence contradicts the conclusion, but rather that the evidence is circular.

C
The argument draws its conclusion by means of an equivocal interpretation of key terms.

Equivocal interpretation means using terms with multiple meanings inconsistently. We don't see this flaw here - terms like 'aesthetic evaluation' and 'cultural background' are used consistently throughout. The argument doesn't rely on shifting definitions of key terms.

D
The argument assumes that the production of an effect is evidence of an intention to produce that effect.

This describes confusing correlation with causation or assuming intent from outcomes. Our argument doesn't discuss effects, intentions, or causal relationships. It's purely about what makes aesthetic evaluations sound, not about artists' intentions or the effects of their cultural background.

E
The argument assumes that evaluative disputes can be resolved by citing factual evidence.

This suggests the argument wrongly assumes factual evidence can resolve value judgments. While the argument does involve evaluation (which could be seen as values-based), the core flaw isn't about mixing facts and values - it's about the circular structure of the reasoning itself.

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