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Musician: Ethnomusicologists studying music from radically different cultural traditions should not attempt to transcribe that music using any system ...

GMAT Critical Reasoning : (CR) Questions

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Critical Reasoning
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Musician: Ethnomusicologists studying music from radically different cultural traditions should not attempt to transcribe that music using any system of standardized notation. Any such transcription is likely to filter out subtleties that the culture producing the music may regard as essential but that do not conform to notational categories imported from another culture.

Which of the following principles, if accepted, would most help justify the conclusion of the musician's argument?

A
When transcribing music from radically different cultural traditions, ethnomusicologists should do so in consultation with practitioners of those traditions.
B
Ethnomusicologists should never attempt to influence other cultures' musical preferences and judgments.
C
Any culture's judgments about which features of its music are most subtle are more important than the judgments of ethnomusicologists from other cultures.
D
Ethnomusicologists should transcribe music only in ways that capture the subtleties that the culture producing the music considers important.
E
When transcribing music from different cultural traditions, it is important to recognize which subtleties are essential to that music.
Solution

Passage Analysis:

Text from PassageAnalysis
Ethnomusicologists studying music from radically different cultural traditions should not attempt to transcribe that music using any system of standardized notation.
  • What it says: Researchers studying foreign music shouldn't use standard notation systems to write it down
  • What it does: States the main position - this is what the musician believes should NOT happen
  • What it is: Musician's main conclusion/recommendation
Any such transcription is likely to filter out subtleties that the culture producing the music may regard as essential but that do not conform to notational categories imported from another culture.
  • What it says: Using standard notation will miss important musical details that don't fit into foreign notation systems
  • What it does: Provides the reasoning behind the main recommendation - explains WHY transcription is problematic
  • What it is: Supporting premise/evidence

Argument Flow:

The musician starts with a direct recommendation (don't use standard notation for foreign music) and then backs it up with a reason explaining why this approach is harmful. The argument flows from conclusion to supporting evidence.

Main Conclusion:

Ethnomusicologists should not use standardized notation systems when transcribing music from different cultural traditions.

Logical Structure:

The argument uses a simple cause-and-effect structure: Standard notation systems → Filter out cultural subtleties → Therefore shouldn't be used. The premise about losing essential musical elements directly supports why the practice should be avoided.

Prethinking:

Question type:

Strengthen - We need to find a principle that, if accepted, would make the musician's conclusion more believable or logical.

Precision of Claims

The musician makes a definitive claim about what ethnomusicologists 'should not' do, based on the risk of losing cultural subtleties that are 'essential' to the originating culture.

Strategy

For strengthen questions, we need to identify principles that would make the musician's conclusion more convincing. The argument is: don't use standardized notation because it filters out essential cultural subtleties. So we need principles that either emphasize the importance of preserving cultural authenticity, the problems with standardized systems when dealing with diverse cultures, or the value of cultural subtleties that might be lost.

Answer Choices Explained
A
When transcribing music from radically different cultural traditions, ethnomusicologists should do so in consultation with practitioners of those traditions.

This suggests ethnomusicologists should consult with cultural practitioners when transcribing. While this might help avoid some problems, it doesn't directly justify the musician's conclusion that standardized notation should NOT be used. The musician isn't arguing for better consultation - they're arguing against using standardized notation entirely. This choice doesn't address the core issue about notation systems filtering out cultural subtleties.

B
Ethnomusicologists should never attempt to influence other cultures' musical preferences and judgments.

This principle about not influencing other cultures' musical preferences is completely off-topic. The musician's argument isn't about influencing preferences - it's about accurately capturing music through appropriate transcription methods. This choice doesn't connect to the issue of notation systems and cultural subtleties at all.

C
Any culture's judgments about which features of its music are most subtle are more important than the judgments of ethnomusicologists from other cultures.

This states that a culture's judgments about musical subtleties are more important than ethnomusicologists' judgments. While this emphasizes cultural authority, it doesn't directly justify avoiding standardized notation. The musician's argument isn't about whose judgment is more important - it's about whether notation systems can adequately capture cultural subtleties in the first place.

D
Ethnomusicologists should transcribe music only in ways that capture the subtleties that the culture producing the music considers important.

This principle states that transcription should ONLY happen in ways that capture culturally important subtleties. This directly justifies the musician's conclusion because if we accept this principle, then standardized notation (which the musician argues filters out essential cultural subtleties) should indeed be avoided. This creates the perfect logical bridge: standardized notation fails to capture cultural subtleties → transcription should only preserve cultural subtleties → therefore don't use standardized notation.

E
When transcribing music from different cultural traditions, it is important to recognize which subtleties are essential to that music.

This suggests recognizing which subtleties are essential when transcribing. However, recognition alone doesn't justify avoiding standardized notation. The musician's point is that standardized notation inherently cannot capture these subtleties, regardless of whether we recognize their importance. Simply being aware of what's essential doesn't solve the fundamental problem with notation systems.

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