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Music student: Textbooks on the history of orchestral music generally devote only a small amount of coverage to the music...

GMAT Critical Reasoning : (CR) Questions

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Critical Reasoning
Logically Completes
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Music student: Textbooks on the history of orchestral music generally devote only a small amount of coverage to the music of the past fifty years. The textbook authors generally wish to reflect the consensus among musicologists and critics regarding what are the greatest works in musical history. Thus, the consensus of these experts must be that the vast majority of history's greatest orchestral music was produced more than fifty years ago, since __

Which of the following, if correct, would most logically complete the music student's argument?

A
the authors intended the textbooks to cover each orchestral musical period in proportion to how much of history's greatest orchestral music was produced in that period
B
no expert judge of musical quality considers most of the orchestral music produced in the past fifty years to be among history's greatest
C
the orchestral music to which the textbooks devote the most coverage is typically that which the authors have spent their careers studying
D
almost all the orchestral music covered in the textbooks is considered to be among history's greatest by experts who have spent their careers studying music
E
almost all expert judges of musical quality have developed their expertise at least in part by studying textbooks on the history of orchestral music
Solution

Passage Analysis:

Text from PassageAnalysis
Textbooks on the history of orchestral music generally devote only a small amount of coverage to the music of the past fifty years.
  • What it says: Music history textbooks barely cover music from the last 50 years
  • What it does: Sets up an observation about textbook coverage patterns
  • What it is: Music student's observation
  • Visualization: Textbook content: 90% music from 50+ years ago, 10% music from past 50 years
The textbook authors generally wish to reflect the consensus among musicologists and critics regarding what are the greatest works in musical history.
  • What it says: Textbook authors try to match expert opinions on the greatest musical works
  • What it does: Explains the reasoning behind textbook coverage decisions
  • What it is: Music student's explanation of author motivations
Thus, the consensus of these experts must be that the vast majority of history's greatest orchestral music was produced more than fifty years ago
  • What it says: Experts must think most great orchestral music is older than 50 years
  • What it does: Draws a logical conclusion connecting textbook coverage to expert consensus
  • What it is: Music student's logical inference
  • Visualization: Expert consensus: 90% of greatest works = 50+ years old, 10% of greatest works = past 50 years

Argument Flow:

The student starts with an observation about textbook coverage, then explains why textbooks are structured this way (they follow expert consensus), and finally draws a conclusion about what that expert consensus must be. The argument flows from observable evidence to underlying explanation.

Main Conclusion:

Music experts believe that most of history's greatest orchestral music was created more than fifty years ago.

Logical Structure:

The argument uses textbook coverage patterns as evidence for expert opinion. If textbooks reflect expert consensus AND textbooks barely cover recent music, THEN experts must think recent music isn't among the greatest works. The missing piece would strengthen this logical chain.

Prethinking:

Question type:

Logically Completes - We need to find a statement that logically fills in the blank to complete the music student's reasoning chain

Precision of Claims

The argument deals with coverage quantity (small amount vs vast majority), time periods (past 50 years vs more than 50 years ago), and expert consensus about musical greatness

Strategy

The music student is making a logical argument: textbooks cover little recent music → authors want to reflect expert consensus → therefore experts think most great music is old. We need to find what assumption or connecting piece makes this logic work. The missing piece should explain why limited textbook coverage of recent music proves that experts think most great music is older

Answer Choices Explained
A
the authors intended the textbooks to cover each orchestral musical period in proportion to how much of history's greatest orchestral music was produced in that period

This choice provides the crucial missing link in the argument. It establishes that textbook coverage is proportional to the amount of great music from each period. If authors cover periods proportionally based on how much great music was produced in each era, and recent music gets minimal coverage, then logically most great music must come from earlier periods. This creates the direct connection between textbook coverage patterns and expert consensus about musical greatness that the argument needs.

B
no expert judge of musical quality considers most of the orchestral music produced in the past fifty years to be among history's greatest

This choice is too extreme and goes beyond what the argument needs. The argument concludes that the 'vast majority' of great music is older, not that 'most' recent music isn't among the greatest. Additionally, this choice focuses on what experts don't consider great, rather than establishing the proportional relationship between coverage and greatness that would logically complete the argument.

C
the orchestral music to which the textbooks devote the most coverage is typically that which the authors have spent their careers studying

This choice introduces an irrelevant factor about authors' personal career focus. Even if authors cover music they've studied most, this doesn't establish any connection between coverage amounts and expert consensus about which periods produced the greatest music. This shifts the focus away from the logical relationship the argument is trying to establish.

D
almost all the orchestral music covered in the textbooks is considered to be among history's greatest by experts who have spent their careers studying music

This choice reverses the logical direction we need. It tells us that covered music is considered great, but we need to know that coverage is proportional to greatness. Just because covered music is great doesn't mean the amount of coverage reflects the proportion of great music from different periods.

E
almost all expert judges of musical quality have developed their expertise at least in part by studying textbooks on the history of orchestral music

This choice creates a circular reasoning problem. If experts develop expertise by studying textbooks, and textbooks reflect expert consensus, then we have a circular relationship that doesn't help establish the logical connection between current textbook coverage patterns and independent expert judgment about musical periods.

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