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Most of Western music since the Renaissance has been based on a seven-note scale known as the diatonic scale, but when did the scale originate? A fragment of a bone flute excavated at a Neanderthal campsite has four holes, which are spaced in exactly the right way for playing the third through sixth notes of a diatonic scale. The entire flute must surely have had more holes, and the flute was made from a bone that was long enough for these additional holes to have allowed a complete diatonic scale to be played. Therefore, the Neanderthals who made the flute probably used a diatonic musical scale.
In the argument given, the two portions in boldface play which of the following roles?
| Text from Passage | Analysis |
| "Most of Western music since the Renaissance has been based on a seven-note scale known as the diatonic scale, but when did the scale originate?" |
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| "A fragment of a bone flute excavated at a Neanderthal campsite has four holes, which are spaced in exactly the right way for playing the third through sixth notes of a diatonic scale." |
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| (Boldface 1) "The entire flute must surely have had more holes" |
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| "and the flute was made from a bone that was long enough for these additional holes to have allowed a complete diatonic scale to be played." |
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| (Boldface 2) "Therefore, the Neanderthals who made the flute probably used a diatonic musical scale." |
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The author presents archaeological evidence to answer a historical question about when the diatonic scale originated. The flow moves from question → evidence → inference → conclusion.
Main Conclusion: The Neanderthals who made the flute probably used a diatonic musical scale.
Boldface 1:
Boldface 2:
Boldface 1:
Boldface 2: